'When Jekyll Met Hyde' brings several generations of Asheville's actors together in a wild ride of a show(s)

All of Asheville's theatrical community is finally playing together. And it’s about damn time. Actors who did cutting edge shows in the '80s, to newer players who have happily learned good theatre does happen in this town. There's even one actor who worked with the earlier group, and has kept chugging on along the entire time. When Jekyll Met Hyde, opening Jan. 20th at The Magnetic Field, is where the magic takes place. The show is also a world premiere of a script written 23 year ago by Magnetic Theatre Artistic Director Steven Samuels.

John Crutchfield plays Jeykll/Hyde in the '60s version and
The Rev. Doctor Lanyon in the '50s version of When Jekyll Met Hyde

Asheville has been waiting for like 20 years for its River District to pop wide open. And that's just about to happen. It's already alive with artists with crazier than cool studios, funky cafes, and now a theatre/café/bar, featuring only all original performance pieces. The Magnetic Field, down on Depot St., is creating all sorts of buzz. If you don't know that the nightspot was recently featured in a New York Times travel piece, you have not been reading much media lately. And you're certainly not a local theatre freak. Time for you to change that status.

When Jekyll Met Hyde draws on every written, dramatized, and filmed version of the Robert Louis Stevenson classic imaginable, relevant 19th century literary and philosophical classics and features, and an unusual feminist twist and a surprise ending, Samuels explains before a recent tech rehearsal on location.

Samuels was in the right place at the right time and worked at The Ridiculous Theatrical Company in New York City from the late ‘70s to the early ‘90s. That group, begun in the mid ‘60s, is credited with breaking “the dominant trends in theatre of naturalistic acting and realistic settings. It employed a very broad acting style, often with surrealistic stage settings and props, frequently making a conscious effort at being shocking or disturbing,” according to Wikipedia. (I can’t believe I just quoted Wikipedia, btw, but it has become a part of our sourcing culture. Besides, Samuels would say that description is essentially correct.)

Samuels points out that he worked with Charles Ludlam in various theatrical ways, both on stage and off. Ludlam was a renowned American actor, director and playwright who either taught or staged productions at New York University, Connecticut College for Women, Yale University, and Carnegie Mellon University. He won fellowships from the Guggenheim, Rockefeller and Ford Foundations and grants from the National Endowment for the Arts and the New York State Council on the Arts. He won four Obie Awards, He was also instrumental in making the ‘Ridiculous’ theatrical experience a major influence still seen on American stages today.

Samuels decided to put together When Jekyll Met Hyde in 1988, ten months after Ludlam died, having been diagnosed with AIDS.

“Ludlam was this wonderful cultural recycler. He didn’t believe he had the right to add any new words to the theatrical arena because so much great stuff had already been created. So, he would create these collages of plots … outrageously put together quotes from all these different sources to tell the story of a classic.”

That’s what Samuels did with When Jekyll Met Hyde. For a month, he dived into the original Stevenson classic and learned as much as he could about it. Then he created his own collages from works like Dracula or Frankenstein, to name just a few. But there’s also a lot of Samuels’ own words in this play. He saw that even more as he prepared it for the Magnetic performance:

"There's about as much real Samuels in the dialogue as there is real fruit in Hawaiian Punch: 10%. What I've realized subsequently is that it's probably more like 15%, maybe 20% if you count my translations of Baudelaire as "Samuels.”

And to add just another twist, in homage to Ludlam and the character of the original work, Samuels has written two versions. There’s a ‘50s and a ‘60s version. Both shows have different actors, with the exception of one actor who is in both versions.

Why choose two decades so close together?

“The ‘50s and ‘60s seem and are very close, but they have very distinctive, tremendous extremes,” Samuels said. This difference is reflected through the costumes, music and the actors.

“It’s totally insane,” Samuels said in parting. “Wonderfully. Totally. Insane.”

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The Magnetic Field will show both versions simultaneously. Featured in the 1950s version, Mondy Carter, Tracey Johnston-Crum, John Crutchfield, Darren Marshall, and Alphie Hyorth; in the 1960s version, John Crutchfield, Kathryn Temple, Julian Vorus, Steph Anie, and Peter Brezny. For more information, http://www.themagneticfield.com/when-jekyll-met-hyde